Inside The Car Park

As promised, Jez (after a myriad of phone calls) managed to attain, on my behalf, access to the disused car park that sits beneath Chervil Rise. The car park is closed apparently due to health and safety reasons but, anecdotally, the purported reason is that it was closed by the council as a security measure when it was believed to be a production site for petrol bombs during the riots of the 1980s. The sports centre which is situated next to the car park has also now been closed down following a violent incident that occurred there.

Being down in the car park was quite an experience - it has clearly been abandoned for a long time. The entrance has long been bricked up and closed, yet the open windows (which I assume served as ventilation for fumes) remain unclosed. This meant that the car park was surprisingly light and also that the sounds of children playing on the nearby football fields floated in and filled the space - both of these factors rendered the environment far less frightening and intimidating than it could have been otherwise. Despite this, I would still have struggled to call it pleasant - when trying hard to avoid brushing my head against one of the waxy stalactites of indefinable grime which hung from the low ceiling as I went about my business.

The car park covers a large area and I was amazed that, like many of the other facilities in the area, was denied to local residents. It seems to me that social disorder is treated like a virus - one which, in the belief that it will prevent its spreading, the course of action is to cut off - isolate - the areas in which these events occurred. These places become quarantined in order to prevent negative incidents happening again - not realising that the factors that cause these problems are not down to geography or architecture - they are social issues that are the result of other factors that cannot just be closed down and shut off.

I believe that it is this mentality that has accelerated the need to redevelop Heath Town. There is a belief that the area has been tainted by certain events (some of which happened as long as thirty years ago) and stigmas which are now too difficult to erase. I agree that a fresh start will be of benefit to residents, but wonder if the necessity to rebuild could have been avoided had different decisions been made in the past.

I’ve included the images that were taken in the car park below. Please feel free to leave comments - let me know what you think!

Black Country Make

This week I had the opportunity to meet the group of young people who make up Black Country Make, led by Jez Monk-Hawksworth. Black Country Make is a project which places power back in the hands of the community. Jez has been working with the residents of Heath Town teaching them the skills required to design and affect their environment in the way that they want to. They have learnt how to use 3D printers and are in the process of building their own laser cutter which will provide them with the means to produce whatever they want. Black Country make have plans to build their own housing which, with a small amount of invested capital, would be financially self sustaining - producing their own electricity at next to no cost - meaning people would be able to live there rent free. It is an incredibly exciting project, managed by a group of driven and promising young people, which has the could well be an early example of how we all live in the future - with production, and therefore control of our own lives and environment, back in the hands of the individual. 

I intend to work closely with this group, setting up the darkroom in the same unit that they occupy - using their determination as a means to kickstart my project, hoping that their enthusiasm rubs off on others to create further interest in the project - getting residents involved in developing their skills and being involved in bringing a benefit to the community and to themselves.


Jez gave me a tip in regards to an interesting place I could look to find more photographs - the now closed car park and sports centre which both sit beneath Chervil Rise. Jez agreed to help me gain entry. Until then, I thought I’d take some photographs around the perimeter which give clues to the presence of the now unused facilities. Here are some of those photographs. Expect to see more images next week following my exploration of these abandoned areas!

My Role at Croome

It is at this point I feel like I should introduce the ‘Croome’ of the project’s title. Croome Court is an 18th century mansion and landscape garden situated just outside of Worcester. Croome has a rich and very varied history, but came to the brink of collapse before it was taken over by the Croome Heritage Trust. In 2005 it was leased to the National Trust who then embarked on a project of restoration. 

The story of the house started with the 6th Earl of Coventry. Upon inheriting the estate, he began renovating and developing the house and grounds enlisting talent to help realise his vision. The house and gardens were designed by Lancelot “Capability” Brown, with Croome being his first major project. Capability Brown went on to become of England’s most highly regarded landscape gardeners of all time and it was the 6th Earl who gave him his first opportunity. Many careers began at Croome, including that of Robert Adam who designed several of the court’s interiors and its follies.

The court remained in the hands of the Coventry family until the end of World War Two, following the death of the 12th Earl following his involvement with the D-Day landings. The estate has since been owned by the catholic church, who used it as a residential school, and a Hare Krishna convent; both of whom made their own changes to the building, and their presences are therefore still felt at the court.

In order to keep Croome afloat during its turbulent history, nearly all of its furnishings were sold off to private collectors and therefore the house was left completely unfurnished. This presented a unique challenge - how should the house be restored? In reverting it to an approximation of how it would’ve been two hundred years ago to the 6th Earl’s specification, centuries of subsequent history would be erased. Therefore The National Trust is taking a different approach in its restoration of the property - enlisting Tom Bennett as creative director of the Croome Redefined project.

Croome Redefined aims to continue the legacy of the 6th Earl by giving new talent an opportunity, giving young up and coming artists the chance to show what they can do as they aid the restoration of Croome, producing individual projects that use artistic means of representing the history which will create a visitor experience that gives and insight to the history of the house and the individuals that shaped it.

For the past six months I have been working as a member of the creative team on the Croome Redefined project. My main role is to create a document of the development of the site over the five years of planned restoration - photographing the changes to the building, and also to make a record which gives insight into the development of each of Croome’s individual projects. I will be doing this while I work on my own projects in an around Croome, including Redefined and Redeveloped, but also on a project which aims to produce a portrait of every individual who has directly contributed to the Croome project as a whole - a list which will run well into the hundreds!

One of the main reasons I went in to the career in the arts was because of my enjoyment of the whole process of a project - starting with an idea and seeing it through to produce a tangible outcome. Croome Redefined is the largest scale project I’ve worked on to date and it’s an honour to be involved. I can’t wait to see what Croome becomes.

If you would like to know more about Croome Redefined, please read Tom Bennett’s blog - creativecroome.blogspot.co.uk